Cinema of the PresentLisa Robertson What if the cinema of the present were a Mbius strip of language, a montage of statements and questions sutured together and gradually accumulating colour? Would the seams afford a new sensibility around the pronoun "you"? Would the precise words of philosophy, fashion, books, architecture, and history animate a new vision, gestural and oblique? Is the kinetic pronoun cinema? A quorum of crows will be your witness. And if you discover
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